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Interview at NYCBass blog

If you have not heard about NYCBass blog, you have to.

The NYCBass blog is about “Interviewing and profiling local bass players from the greater new york city area. NYCBass will also provide tips about how to “survive” as a bass player in New York City while maintaining your sanity and not going completely broke.”

The blogger behind is Joseph Wallace, who defines himself as ” …a double and electric bass specialist from the greater new york metropolitan area. He has vast live and studio experience with multiple genres including classical, jazz, rock, pop, r&b, musical theater and more. Joseph possesses a B.A. in Music Education from Montclair State University and has studied with Linda McKnight, Mike Richmond and Bill Moring.”

Well, Bob DiGiacomo was interviewed today in this great blog.

Read the full interview here:

http://nycbass.tumblr.com/post/10993949236/interview-with-bob-digiacomo

And read the full site, of course.

Musician’s Corner Part VIII

Welcome back to the Musician’s Corner. Previously, we took a look at the C major scale and from it we derived all of the naturally occurring modes. Today we are going to continue to analyze the C scale, but instead, shift our focus to the chords that can be created from it.

More specifically, today we are going to build triads. A triad is exactly what you might guess, a group of three notes. Even though more interesting and cool sounding chords can be built with more notes, doing this would be jumping ahead of our selves. A solid understanding of the triads on which more complex chords are constructed will not only give you a better understanding of the larger structures, but also allow you to take this knowledge into any style you wish. Jazz relies on these larger structures but all western music has these more basic triadic structures in common.

Continue reading Musician’s Corner Part VIII

Musician’s Corner Part VII

Locrian mode is the last in the series of modes based off of the major scale. This will wrap up our analysis of these seven basic modes, but don’t worry; the conversation gets deeper from here. Using the information from the three relationships we will be able to transfer these modes and scales to different keys. We will also analyze chords and see how each mode matches up to a certain chord. First, let’s take a look at B Locrian.

B Locrian Scale

 

 

Continue reading Musician’s Corner Part VII